Tag: Metal

2019, Other Artworks

United Metal Minds

Miss Escapist

“Open your mind
Then you will be
Balanced and free”

Epica – Beyond The Matrix

Shortly after Simone’s birthday portrait I decided to give digital drawing another chance – and created an illustration for Mark Jansen’s “United Metal Minds” project.  When I started drawing, I didn’t have any concept for how I wanted the picture to look like. I started off by colouring the background and drawing the United Metal Minds logo in the centre. After that I continued with adding the silhouette of a woman meditating, then I drew the moon and earth in opposite corners of the picture. Last but not least, I added a sort of “mandala” frame to the image.

At first, it was rather difficult for me to come up with ideas for the illustration as I didn’t have any music to refer to and only a rather vague topic but I tried to make the best out of it.

A few explanations on the artwork itself: the logo in the center isn’t my own design, it depicts a symbol called “Metatron’s Cube” – a reference for energy, motivation and focus. The silhouette of the meditating woman is supposed to be a symbol for the mind and the ability to focus on it.
The cube symbol resembles the “Flower of Life” symbol. If you look closely at the woman’s hands you can see a DNA strand just above – as a symbol for life and its origin. I was trying to connect two things with the used symbolism – spirituality (=meditation) and science (=DNA strand) – as I think both can strongly define your view on the world. The moon and earth symbolise connection, interaction and also life. The frame, once again, is a mandala to adapt to Metraton’s Cube in the centre of the illustration.

Materials: Autodesk Sketchbook

Time: approx. 8 hours

2019, Portraits

Simone Simons Card Design

Miss Escapist

“Only you is what you’ll be
All you are is what you see”

Epica – The Holographic Principle

Every now and then I pick up someone’s birthday as an opportunity to start a new portrait – and in this case, it’s Simone Simons again. I immediately thought of the metal queen card designs that I had done before as Simone definitely deserves a spot in the list of my favourite metal ladies. As I had just bought myself a new convertible, this also gave me the perfect excuse for trying out Autodesk Sketchbook on it. I had never drawn digitally before, so it was bound to become a challenge right from the start. Doing the first sketch wasn’t so very complicated but getting the shadings right was. It took me quite some time to get used to the new drawing dynamic and although the convertible also reacts to applied pressure changes it’s not quite the same than it would’ve been with a pencil. All of the lines that I drew were either too soft or too harsh in the beginning. I slowly started getting used to it, though, and the final result didn’t look as bad as I had feared. I took the finished portrait and edited it to match the blanco card design, then I added a few extra details and the Epica logo before I was finally done

Materials: Autodesk Sketchbook

Time: approx. 8 hours

Reference photo used for the drawing was taken by: Tim Tronckoe

2018, Portraits

Floor Jansen of Nightwish (The Wacken Edition)

Miss Escapist

“Deep into a dying day I took a step outside an innocent heart “

Nightwish – Wish I Had An Angel

This is one of the drawing projects that is most dear to me as it captures a moment from my very first Nightwish concert – at the legendary Wacken Open Air in summer 2018. I was there, standing in the front row (I had waited there for Nightwish to play for about 11 hours straight). I was a Nightwish fan for more than 10 years at that time, so it was kind of a BIG moment for me. I really wanted to dedicate a drawing to this special show and searched for a reference picture that I wanted to use for months. I finally ended up with drawing this scene. In my first attempt I tried doing a coloured portrait but I kinda messed things up and decided to stick with the things I knew for that drawing as I really wanted it to be perfect. Fortunately, my seccond attempt went way better and I made good progress, though I still needed a lot of patience. Especially Floor’s corset took me ages to finish as there are so many little details I had to pay attention to. Once I had finished the portrait itself the background wasn’t much of a problem anymore and I finally held the finished drawing in my hands. I’d really love to show it to Floor in person one day and I hope that I’ll get the chance to do so – sooner or later.

Paper size: A4

Materials: Faber Castell blacklead pencils

Time: approx. 20 hours

Reference photo used for the drawing was taken by: Natalia Kempin

2018, Portraits

Designing Cards

Miss Escapist

Maria Brink

In This Moment

Alissa White-Gluz

Arch Enemy

Floor Jansen

Northward & Nightwish

The idea for turning some of my drawings into card designs was actually born quite a while ago – to be more precisely, after I had drawn Maria Brink. I edited the drawing digitally to get it into a proper symmetrical form and then added a card layout to it. I never properly uploaded the picture, though. Same goes for the Alissa White-Gluz card, I created it a few months later and it also never found its way online. I just never felt like anyone would be interested in these cards as they were basically just an edit of drawings that already existed. As the end of the year was coming closer, I decided to give it a try and uploaded my first card design – and got an overwhelmingly positive response. So I felt encourage to upload the second card as well and even create a third card right away – Floor Jansen. I used the Northward drawing that I had done before for the edit. To my surprise, when I opened Instagram again after uploading that card, the first thing that I saw was my work – on Floor Jansen’s page. She seemed to have stumbled upon it and even liked it enough to repost it on her profile. Needless to say that I was rather speechless about this and felt very honoured.

Materials: GIMP, Autodesk Sketchbook

Time: approx. 5 hours

Reference photo used for the drawing were taken by: Jeremy Saffer (Maria Brink), Tim Tronckoe (Alissa White-Gluz), Northward album cover (Floor Jansen)

2018, Portraits

Northward

Miss Escapist

“Don’t turn away
Mirrors never lie”

Northward – Storm in a Glass

As a big fan of Floor Jansen, I also follow all her projects aside from Nightwish. One of those projects is “Northward” where she created some nice hard rock together with Jorn Viggo Lofstad. I liked the music even more than I had expected myself to do and on a grey and rainy afternoon (while listening to Northward, of course) the beginning of this drawing was made. I started with a rough pencil sketch and then used a ballpoint pen for the rest of the drawing. I drew Floor first, followed by Viggo. In the beginning I didn’t really like the drawing but I kept on working on it and added details and shadings where necessary. Since my last ballpoint pen portrait, I had definitely managed to improve my skills and in the end the shading turned out to be quite smooth (at least for a ballpoint pen). I finished the portrait during my lunch break at university the next day by adding the trees. The drawing was quite successful after uploading it to social media, Northward saw and reposted it on all of their social media channels and I even had a private chat about that drawing with whomever is managing the Northward Instagram account

Paper size: A4

Materials: ballpoint pen

Time: approx. 9 hours

Reference photo used for the drawing: album cover of “Northward”

2018, Portraits

Floor + Alissa = Floorlissa ?

Miss Escapist

“One for all
All for one
We are strong
We are one”

Arch Enemy – Nemesis

The idea for this portrait was actually suggested to me by one of my Instagram followers and I liked it so much that I just had to draw it immediately. That idea was to merge the faces of Floor Jansen and Alissa White-Gluz in one portrait. I spent quite some time searching for good reference photos as the angles of the pictures had to be the same so that I could do a proper face merge. Luckily, I found two pictures that went together perfectly and was able to start drawing. At first, I wanted to do a regular pencil portrait but then I changed my mind and went with a ballpoint pen instead. I started off with Alissa’s half and then went over to drawing Floor. During the process I always had to cover the other half of the face because it was way too confusing to see a completely different face there. I tended to bring trademarks of Alissa’s face into Floor’s and the other way around so covering was the best that I could do. The first time that I had a closer look at the entire face merge wasn’t before the portrait was finished and I think it looks cool and confusing at the same time.

Paper size: A4

Materials: ballpoint pen

Time: approx. 8 hours

Reference photos used for the drawing were taken by: Fradellafra Fotografie (Alissa’s photo) & Steve Brown (Floor’s photo)

2018, Portraits

A New Powerwolf Portrait

Miss Escapist

“We are the sword we tame, the fire, the flame. We hail the lord, we fear no rebel, no pain.”

Powerwolf – Venom of Venus

When Powerwolf announced their new album “The Sacrament of Sin” and, additionally to that, released fantastic new photos of the band members, they literally left me without any choice. I just had to draw them again. This time I wanted to approach the “band portrait thing” from another angle, though. Instead of taking a photo of the entire band as a reference and copying it 1:1, I came up with a design that combined the 5 separate portraits in one artwork. I did a rough layout design on my PC first before I transferred that idea to paper. This time I was smart enough to actually start at the left side of the picture and so the first one to draw was Falk Maria, followed by Charles. Atilla, Matthew and Roel followed after that. For this portrait I spent a lot of time with trying to get all the different shades correct, making them look smooth and edgy at the same time. I really wanted to capture the essence of Powerwolf in that drawing, more than I had done in my previous portrait of them. Certainly, one of the artwork’s highlights is the gold paint on their clothes as it really stands out from the pencil drawing. I used two layers of paint to get the right intensity of gold. I made the bottom of the drawing entirely black, apart from the writing, as I hoped for a chance of getting the drawing signed by Powerwolf one day – I imagined them signing with a golden pen on that black area. Yes, I’d definitely like that.

Paper size: A4

Materials: Faber Castell blacklead pencils, gold paint

Time: approx. 24 hours

Reference photos used for the drawing: taken from the official Powerwolf website

2018, Portraits

Cristina Scabbia of Lacuna Coil

Miss Escapist

“I forgive the ones who hurt me
But I’ll not forget your name”

Lacuna Coil – I Forgive (But I Won’t Forget Your Name)

It has been quite some time since I last drew a face-only portrait and I felt like going back to that for a change. I also had a reference in mind already – a photo of the lovely Lacuna Coil front lady Cristina Scabbia, whom I had never drawn before. When I draw a face portrait, I have a relatively fix pattern of how I work – I always start with the eyes, then do the shadings around them and go up to the forehead after that. When done with the forehead I continue with working on the nose before I give the rest of the face its shading. The final thing for me to do is drawing the lips. When I was satisfied with how her face looked like I started to work on her hair. This time, I wanted to try a new technique and see how it works out. Therefore, I used a thin metal item to “draw” the hair – only that what I drew wasn’t visible, I softly indented it into the paper. That was supposed to be my hair texture. Then I used a pencil to shade the hair areas and finally I drew single strings of hair darker than the rest. I was surprised by how good this method actually worked out and it wasn’t even much of an effort. In fact, it made drawing hair quicker and easier. Done with her hair, I moved on to drawing the background – which was quite easy as it’s just simple black. Now I only needed to work on the hands and her rings. I didn’t really manage to make the left ring look good but apart from that I absolutely loved how the portrait turned out.

Paper size: A4

Materials: Faber Castell blacklead pencils

Time: approx. 20 hours

Reference photo used for the drawing was taken by: Jeremy Saffer

2018, Portraits

Tomi Joutsen of Amorphis

Miss Escapist

“Come before the winter’s gale
before the frost and snow
take what I will give you
Accept my sacrifice”

Amorphis – Sacrifice

Though it might sometimes appear as if Nightwish are the only Finnish band that I listen to, that’s not true. There’s a variety of great bands from Finland that I highly enjoy – and Amorphis is one of them. Their melodic and melancholic music just got better and better through the years and the newly released “Queen of Time” certainly didn’t change my mind on that. On the contrary, it made me want to draw Tomi Joutsen, the singer of Amorphis. I ended up choosing a photo from one of their concerts as a reference as it just seemed to have the right vibe to it. Tomi’s face and hair were done quickly, what took me the longest to draw were his tattoos and the logo on his shirt. All in all, it was a quick portrait, though. A few weeks after finishing it, I decided that the portrait could use some background and so I added a dark shade of grey and black to complete the picture.

Paper size: A4

Materials: Faber Castell blacklead pencils

Time: approx. 8 hours

Reference photo used for the drawing was taken by: Lina Glasir

2018, Portraits

Marco Hietala of Nightwish

Miss Escapist

“He sets the sails one last time
Saying farewell to the world”

Nightwish – The Islander

After having drawn Nightwish ladies for so long it was just about time to finally give someone else a portrait, too. Nightwish’s very own master of bass, crazy good vocals and stupid jokes: Marco Hietala. Seriously – who doesn’t like Marco? I have always been afraid of drawing him because I know that I suck when it comes to drawing light / white hair. And he has a lot of that. I really wanted to draw him nevertheless and so I decided that I needed to get over that hesitation. I started with drawing Marco’s face as that was a more familiar thing to do before I faced my “fear” and began to work on the hair. I struggled a lot while doing so and though it ended up looking okay in the end, I still wasn’t really satisfied. Because of that it took me some time to regain my motivation for finishing the portrait. In the end, I managed to do so though and completed my work on Marco and the background.

Paper size: A4

Materials: Faber Castell blacklead pencils

Time: approx. 15 hours

Reference photo used for the drawing was taken by: Markku Hyttinen